A 180-gram/triple-gatefold/double-LP of the Black Inscription album!
INCLUDES:
• a CD of Black Inscription
• a download code for Black Inscription
• Lyrics
• Liner notes
• A giant ocean of thankyous with the names of everyone who contributed in one way or another to the creation of this project.
Original artwork by Lisa Carroll.
Includes unlimited streaming of Black Inscription
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Natalia is, in every way, beyond the point of no return. She comes to a giant heap of scallop shells on the sea floor. This is Octopolis – a community of octopuses living in relatively close quarters. An octopus spies her and is fascinated by her articulate body, her lack of fluidity. The octopus addresses this alien interloper.
An octopus’s nervous system is structured very differently from ours. Their sense receptors are not confined to one central place. They taste with their arms. They see not just with their eyes, but with their skin. Their minds are not separable from their bodies, and their bodies are infinitely variable. They are able to stretch, contract, and shape-shift, making their sense of ‘self’ inherently different from ours. Though octopuses are usually solitary creatures, Octopolis is a real place in Jervis Bay off of the east coast of Australia. This song and it’s title are inspired by Peter Godfrey-Smith’s book Other Minds; The Octopus, The Sea, and the deep Origins of Consciousness.
lyrics
Yoo-hoo…
You… Who?
Gangles of angles and elbows and bends,
everything kept in its place.
So fine, so finite.
So staged and stagnant.
You taste just with your tongue?
And see just with your eyes?
You know too well where you are… and where you are not.
I am all tongue, all taste,
I am receptors, reflectors.
I am layers of light.
My body, a canvass, a mirror.
I see with my skin.
I am a pulpit, a pulpo, a paramour.
You know too well where you are and where you are not.
But you are everywhere.
Your salt, your sorrow,
disbelief, oh, your disbelief
carried to me in waves.
I am a pulpit, a pulpo, a paramour.
Every cell, a tiny sea within
a memory, a solution, a conundrum.
You are not a who, a what, a where.
Oh you! You are a boundless, seem-less yes.
Shape and reshape,
let the sea in.
Turn and return,
sound and resound.
Let the sea in,
Let it see in,
Let me see in…
credits
from Black Inscription,
released January 11, 2018
Music by Kristin Slipp & Jeremy Flower
Words by Carla Kihlstedt
Rabbit Rabbit Radio is the song-spinning duo of Carla Kihlstedt and Matthias Bossi. Collectively, they are founding members
of Sleepytime Gorilla Museum, Tin Hat, 2 Foot Yard, Causing a Tiger, The Book of Knots, and Fred Frith’s Cosa Brava.
Drawing on their love of both art & folk song, industrial & improvised music and heart-wrenching balladry, their songs are raw, beautiful, sparse and rich....more
supported by 49 fans who also own “Octopolis (featuring Kristin Slipp)”
Carla Kihlstedt = quality music, to me.
This is excellent creative music, wonderfully recorded and mixed, probably my fave for 2017. Early days (first listen), but I'm so enthusiastic I just started typing this after hearing the 7th track (WHAT A MELODY!). Deeply intriguing, emotionally charging and cognitively tickling all of your senses...I absolutely love it!
Fans of Sarah Kirkland Snider, My Brightest Diamond, even Bjork, and Kihlstedt of course should check it out... Tjarko Busink
In songs that swing from giant and anthemic to distortion-caked and widescreen, Lightning Cult conjure galaxies of sound. Bandcamp New & Notable Jun 18, 2022